Though Newman returned to the studio to make it, the album has much the same stark quality as the Live album, for the arrangements, so admirably restrained, consistently serve the songs rather than themselves. (Two songs - вЂњLast Night I Had a DreamвЂќ and вЂњLonely At the TopвЂќ - are on the Live album in different versions.) Sail Away is NewmanвЂ™s most mature album, a work of genius. Sail Away comprises 12 songs, all of them written, sung, and arranged by Newman. Except for those songs recorded on Nilsson Sings Newman (Newman was pianist), it was the first time one was able to approach NewmanвЂ™s songs as straight compositions and to detect the sensibility of a minimal artist at work. Then came Randy Newman/Live, on which Newman sang many of the songs from the first two albums with only his own piano accompaniment.

The second studio album, also produced by Waronker, was a stunningly executed change-of-pace, showcasing the bitter ironist in a new guise - that of the consummate rock-and-roller. The result was a brilliant but overly ornate presentation that magnified the bizarre pathos at the surface of the songs while obscuring their deeper intentions. Newman the songwriter, the bitter ironist, was caricatured by Newman the arranger displaying his bravura virtuosity.

His first album, co-produced by Waronker and Van Dyke Parks, was almost too much of a good thing. Randy NewmanвЂ™s third studio album, Sail Away (Reprise 2064), produced by Lenny Waronker and Russ Titelman, is further confirmation - as if any more were needed - of the fact that Newman is our most sophisticated art-song composer and also the most self-consciously American.

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